Piece Year: 2007

  • The Saint Plays

    The Saint Plays

    • The Saint Plays

      Performed at Open Eye Theater in Minneapolis in summer, 2007

    Written by Erik Ehn

    Music by Daniel Corral (except for one song by PJ Harvey)

  • Sustain

    Sustain

    • Sustain (live at CalArts, 2007)

      Played by Ryan Tanaka at Roy O. Disney Concert Hall

  • Caleb and Caroline

    Caleb and Caroline

    • Caleb and Caroline

      Film by Mareca Guthrie
      Music by Daniel Corral

    Music Performed by the Formalist String Quartet and Daniel Corral

  • Emperor

    Emperor

    • Emperor

      Directed by Thorbjorg Jonsdottir

    A film about Joshua Norton, the first emperor of the United States of America.

  • Panache

    Panache

    • Panache

      Film by Nicole Emmons

    Combination of vintage found footage, original material shot on 16mm, digital still camera, and optical printer created imagery. Running Time 3 minutes. Director, Nicole Emmons. Composer, Daniel Corral. Lady in Red, Lindsay Dunn. Huge thanks to Dave Emerson at Calarts for the optical printing education.

    Music is an excerpt of my early piece Circle Limit I.

  • Requiem for György Ligeti

    Requiem for György Ligeti

    • Requiem for György Ligeti

    Requiem for György Ligeti is a giant music box created in memory of composer Gyorgy Ligeti, who died in June 2006. It was inspired by Ligeti’s Poem Symphonique, which involved 100 wind-up metronomes being set off at once. The Requiem was originally a part of Pandoras Box, a group installation that opened at the CalArts Main Gallery in March, 2007. 

    • Requiem for György Ligeti played live

    There are several ways to interact with the Requiem. The casual passerby can merely turn some of the silver knobs on the top of the box, each of which is attached to a different music box movement. If you are feeling more diligent, you can then push in the gold knob on the front of the box. This stops all of the movements from playing, so that you can wind up all 100. Once you have wound them all up, then pull the gold knob back out and they all start playing at once to create a micropolyphonic texture.There are several ways to interact with the Requiem. The casual passerby can merely turn some of the silver knobs on the top of the box, each of which is attached to a different music box movement. If you are feeling more diligent, you can then push in the gold knob on the front of the box. This stops all of the movements from playing, so that you can wind up all 100. Once you have wound them all up, then pull the gold knob back out and they all start playing at once to create a micropolyphonic texture.

    • Requiem for György Ligeti